crimson-firecat:

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fazstreetart:

Commentary.

In February, I posted two pieces in Bed-Stuy on Tompkins and Halsey. These two pieces got the most attention of any pieces I’ve put up so far. Within a few days, someone had written his response to the work directly onto the posters. From there, a woman wrote a response to him. And it went on and, on with different hand-written comments creating this kind of interesting discussion. The pieces remained up until a week or so ago, when the phallic image was drawn. That’s when I decided to try to take them down. 

The “Stop Telling Women to Smile” piece remained in tact enough for me to include it in the exhibition. I thought it was important to present in the show, so that people could view these written reactions. 

I love when assertive women scare men to such an extent that they have to resort to infantile shit like this.

They think it will shut women up, but it really just fuels everything further, I hope they know that. 

The “devolution” of the poster is more interesting to me than the originals, which I’ve reblogged before.

The fact that a man decided to comment on the poster physically, and was the first to do so, says a lot. Whenever women defend ourselves we get these counter arguments. We get people in general, and not just men, trying to cut down our personal initiatives. And when women, like on the poster, attempt to hold a real discussion we get the brunt of the “dick solution” where we are told that we hate men, we haven’t had a “dick that was good” or we get a penis drawn on the poster meant to make a social commentary about our “place.”

I’ve reblogged the individual posters before because I understand them as a victim of the suggestions. But I’m reblogging them now to show the attempt to keep women in their societal place in our culture.

An excellent example of men not getting the point about street harassment.

“You find our unwanted projections of our opinions of you to be bothersome? Well … well … well … DICKS, THAT’S WHAT! DICKS!!!

Serious grade-schooler shit here.  Grow the fuck up.

Sighs.

(Source: stoptellingwomentosmile)

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This Is Not China: goofnightmoon replied to your post: Gettin’ real sick of people...

thisisnotchina:

I’m a little bit on the chubby side and im tired of this thinness shit too.

thisisnotchina:

myswagweird:

Sushiiii ♡♥ #Grubbin #Chinese #Sushi #Crab #Shrimp #Foodporn #Mouthgasm #Like4like #S4S #thug #Food

sushi isn’t chinese

Lord!!!

When I was a kid, you know I immigrated to the States in 1978, and I’m six years old and watching TV and I didn’t see any Asians on television. And you turn on Star Trek and there’s this Asian guy not chopping anybody up. He’s honorable, a helmsman of a spaceship, and it was a big, big deal for me to see that and have a role model.

John Cho (x)

The only Asians I remember seeing on mainstream TV when I was a kid were Sulu on Star Trek, nameless Asians loading trucks in the background or dying on MASH (which was all about funny lovable white US Americans waging war on Asians), and the “ancient Chinese secret” Calgon laundry detergent commercial.

(via zuky)

Was the same when I was a kid. That moment of seeing George Takei not being overly-stereotyped when I was a kid was a powerful one. I think the only place I had really seen other Asians on the screen was finding the rare (because I was a kid in mountains, far from the rest of the community) movie that had Asians in it. Unfortunately, a lot of those were the “white guy learns martial arts, beats up Asians because ‘Merika” type movies. Which, of course was not TV. They were still the “Asian other” just as in MASH backdrops. Anyway, what I’m trying to say is that Sulu always has a special place in my heart. Star Trek helped me get through some bad emotional spaces as a kid, and I think part of what made it welcoming was having POC, especially George Takei ( since I’m JA too, and the other Asian American actors who came later), represented on screen in positive and whole characters, with names instead of “Solider #1, Henchman #4, Ninja #18”.

(via reallifedocumentarian)

(Proper) representation matters. 

(via angryasiangirlsunited)

It makes me incandescently angry that the makers of the current trek movies don’t grasp that the incredible imagination and sense of potential that gave the original series its beauty and power had literally nothing whatsoever to do with alien starship battles. 

Mae Jemison became the first black woman in space, and do you know why she joined NASA? Lt Uhura. Can you imagine, can you even BEGIN TO FATHOM how many scientists, doctors, teachers, artists, mechanics, diplomats, there might be out there in the world who were like John Cho, like Whoopi Goldberg, who turned on their tv one day and the tv said to them YOU CAN DO THIS, YOU MATTER. 

Star Trek’s heart and power is that it painted a reality where people were going to go out into the universe with a sense of curiosity and unity, and where everyone was fundamentally equal. And it didn’t just tell you that, it showed you. 

(via sharpestrose)

Definitely everything everyone said, I definitely felt less hated when I saw actors and role models I could relate to in the media. Does anyone remember that study done that indicated the only children who didn’t get their confidence damaged watching tv were white boys?

(via thisisnotjapan)

(Source: divorcedreality)